Category

VIDEOS

… In this menu there are some videos that I make on several subjects (mostly directly in English and some with subtitles) .
… Moreover, here, in some sub-categories, I include some videos in which the music is from parts of past works of mine, when I was composing music.

In the cave: 2-The obsession of positive thinking

We experience phenomena through their polarised manifestations: day-night, cold-hot, life-death. Feeling bad is totally equal in importance as feeling optimistic and joyful, as they are manifestations of our wholeness
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In the cave: 1-Illusions of magical thinking

It is very hard for us humans to accept the fact of being thrown in an overcomplicated, unpredictable, totally incomprehensible and violent universe. So we often imagine causal connections even where they have no place at all
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On the bridge over the troubled waters of any Midlife season [video - intro of a webinar]

Moreover, as we change crossing the impasse of our middle age (from about 35 to 55) and we feel our time-horizon not so endless, we start tasting the ephemeral character of all things - and of course of our own beings.
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Lights and Shadows in life: reaching beyond the polarity [introducing 3 webinars]

The concept of the “Shadow” is the core of these webinars. The webinars will unfold In an overall existential “atmosphere" while the "Shadow” will be presented in connection with the widely (and often carelessly used) notion of the “inner child”.
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“Gloria” – A hymn

Personally I simply have several feelings and awe just by being a tiny particle of this vast universe - so I enjoyed deeply composing this music as a gesture of respect to the Immense Unknown.
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“In the Shadows of Eros”-introducing a workshop in Warsaw

In Eros we have the almost metaphysical certitude that we somehow “knew” the Other even before we actually met in reality. There is also a sense of deep harmony and intimacy, as if there are not and there will never be any differences with the Other. And, finally, exactly who meets whom in Eros?
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The art of listening-1 [intro on a webinar – video & text from the description]

We finally consume stimuli, no matter what stimuli. And as a consequence of lining in a “noise” of stimuli we desensitise: I mean that we become unable to give any meaning to our senses, since we are simply consuming what they are bringing in our being every moment.
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Time, the old, the new: how? / Share*dots project-4 [the text]

This is ΤΕΧΤ introducing the THEME of the 4th event in a series of online meetings under the overall title: “Share*dots project”
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Mistakes cannot exist / Share*dots project-3 [the video]

This is a stand-alone video and at the same time is the THEME of the 3rd event in a series of online meetings under the overall title: “Share*dots project”
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In the rushing New of the next day / Share*dots project-2 [the video]

This is a stand-alone video and at the same time is the THEME of the 2nd event in a series of online meetings under the overall title: “Share*dots project”
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“NOTES FOR YOU” – without words

A video consisting of selected images from my 1st book translated in English, and music with parts of my past compositions.
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On the unknown difficult feelings / Share*dots project-1 [the video]

This is a stand-alone video and at the same time is the THEME of the 1st event in a series of online meetings under the overall title: “Share*dots project”
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Getting at the core of the “Share*Dots project” idea

Share*Dots project emerged as an online call to people to simply share, talking about whatever they wish to talk on a pre-defined theme
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The relational self in times of threat and isolation, of covid-19 [full lecture]

In all times for all humans, whenever we say “me” or “I am” we immediately produce a “you” or a “you are”, like the word “cold” implies “hot”. [This lecture was the INSPIRATION for the birth of Share*Dots]
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“Algorithmic aria-2” [in MUSICA PRACTICA]-CD, 1995, 16th track

In “MUSICA PRACTICA” I intended to explore and show the vast possibilities of the electronic instruments when they are used  creatively and not only to produce some beat or to imitate acoustic instruments. 
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