eros-sex-love – Page 2 of 2 – Πέτρος Θεοδώρου

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eros-sex-love

The silent scream

When I think I can never live without you because I sense myself as half a person, I continue to be something whole that simply feels like half... [Video - NOTES FOR YOU]

Yet, through our yearning and deep thirst for the Other, we think we have done something “wrong”. We shrink, we become much smaller. We take on our own backs the total and unbearable responsibility for events that are not produced by ourselves alone. [Video - NOTES FOR YOU]

The addict’s monologue

She comes round now and then but only “as friends” she emphasizes. Let her say whatever she wants, I am sure she doesn’t know what she wants either. We’ve even had sex sometimes and it’s like taking my dose. [Video - NOTES FOR YOU]

The cheat’s monologue

“What did you two do exactly, what kind of sex did you have, what position, how many times did you do it, from where, how much, when, what did she have that I lack” [Video - NOTES FOR YOU]

9. A piano, sex and love

Just as happens with a single piano key, so desire for the Other’s body does not necessarily have to serve some goal on any higher level, in order to give birth to rounded and beautiful moments. That is to say, sexual desire does not necessarily have to serve love. [Excerpt from NOTES FOR YOU]

1. On eros and mirrors

Not one of these side-effects of Eros matters at all. Because the Others available to us as our mirrors are countless, so countless will be our chances to experience breaking into fragmented reflections again and again. [Excerpt from NOTES FOR YOU]

2. The passage

And in this pause in time, full of silence, your hand becomes another hand. A new hand with another meaning, a totally new meaning that starts embracing what I call “your hand”, pushing it elsewhere, somewhere beyond beauty, charm, attraction or aesthetics. [Excerpt from NOTES FOR YOU]

3. Tastes of Now

In other words, from the perspective of each specific Now on our timeline, whole slices of our past and future times remain darkened because they do not need to be visible from this or that specific Now. [Excerpt from NOTES FOR YOU]

4. The addict’s monologue, or, on desire and shadow (a)

I want to beat her, while at the same time I need to hug her warmly, protect her, give her everything. Ah! And I want to have her in bed from morning to night. Fuck her from everywhere, tear her apart without any mercy. [Excerpt from NOTES FOR YOU]

5. If

6. Two transparencies

...as if he and his image were drawings on two transparent sheets of gelatin, she attempts once more to put one on top of the other. Their outlines don’t match. Should she tear both the transparencies? Should she crumple one and throw it away? [Excerpt from NOTES FOR YOU]

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